The core programme consists of observational stand-up comedy, but careful programming ensures a variety of compatible styles and performers on any one bill. About half of our weekend spots go to acts resident in Scotland, and the other half to visiting performers from throughout the UK and abroad, who will usually be booked to appear on a frequency of a year or more. The premium end of week stand up shows are anchored by the club’s team of experienced resident comperes.

In both Edinburgh and Glasgow, the all week opening has allowed a range of specialist shows to be developed midweek:

New sketch shows such as Melting Pot and Rough Cuts have provided a platform for new writing and performance;

Ensemble improv shows such as The Stand Players and Dance Monkey Boy Dance have provided a platform for experiment and diversity.

The clubs have become a popular venue for the Scottish leg of UK tours by established comedians such as Daniel Kitson;

Wicked Wenches, a new all woman showcase which fuses stand up and sketch performance, provides a rare platform for women to get on in this industry.

Both clubs aim to present theatre quality performances in environs with a pub/cabaret atmosphere rather than a theatre/artspace environment. This relaxed and comfortable setting is particularly attractive to new kinds of audience unfamiliar with, or unattracted to, conventional theatre productions. Audiences can drink during performances and there are two short intervals.

Stand up comedy depends critically on the dynamic which is established between performer and audience. Too few people in too large a room can spell disaster no matter how good a show might be artistically. The clubs therefore aim to have a high density of audience, and not all of the venues are seated. Whilst this has on occasion attracted adverse comments from people wanting more room or seats, the packed nature of the gigs adds more immediacy and energy to the show.

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